Jesus Christ, this will be fun! Alexander Hamilton on stage
How could you not love a musical which borrows equally from The Pirates of Penzance and Notorious B.I.G.? Hamilton, if you havenât heard yet, is a musical blending rap, jazz, blues and classic Broadway melodies to tell the story of an obscure Founding Father (âYo, who the eff is this?!â) and his attempts to get a radical debt plan passed by Americaâs fledgling government. Yeah, that old chestnut. I jest; Lin-Manuel Mirandaâs occasionally swear-y, Pulitzer Prize-winning show has torn up the rulebook, and this weekend, stands to make history at the Tony Awards where it has earned a record-breaking haul of sixteen nominations.
Hamilton playbill, accessed via Wikipedia. Engraving of a young Alexander Hamilton, n.d. Image Â© The Gilder Lehrman Institute of American History. Further reproduction prohibited without permission. Click the image to see this document in the collection.
Based on the life of Alexander Hamilton - the first US Secretary of the Treasury, originator of the US Coast Guard, founder of the New York Post, or âa polymath, a pain in the assâ - Hamilton features a cast of historical giants, from world-weary, cash-strapped George Washington to Lafayette (âthe Lancelot of the revolutionary setâ ) and lesser known figures such as Aaron Burr and tailor-cum-spy, Hercules Mulligan (when you knock him down, heâŠ well, youâll have to listen to "Yorktown" to find out). In one of the showâs best raps, the protagonist rails against future president and hypocritical dandy, Thomas Jefferson: âA civics lesson from a slaver? Hey neighbour/Your debts are paid âcause you donât pay for labourâ. Slavery isnât a theme that one usually equates to bums on Broadway seats, but Hamilton is unafraid to tackle the big, eighteenth century issues.
In an American election year more than usually preoccupied with walls, immigration is a hot topic, and at its heart, Hamilton is an immigrant story. âJust like my country, Iâm young, scrappy and hungryâ, he sings as he arrives, poor and friendless, in revolutionary New York. Soon after, the motor-mouthed migrant begins impressing a host of revolutionary homeboys with his earnest quips and couplets, lashing out, for example, at the loyalist, Samuel Seabury: âMy dog speaks more eloquently than thee! âŠ Why should a tiny island across the sea regulate the price of tea?â
Back on that âtiny islandâ, King George â blue, befuddled and occasionally maniacal - sees the independence movement as nought but a loversâ tiff: âRemember, despite our estrangement, Iâm your man âŠ And when push comes to shove/I will send a fully armed battalion to remind you of my love!â Later, the possessive royal crowingly predicts the split that would eventually lead to civil war: âThey will tear each other into pieces/Jesus Christ, this will be fun!â
Serendipitously, Hamilton popped up on my cultural radar (i.e. Youtube) around the same time I reached the revolution-y documents in our upcoming resource, Colonial America: Towards Revolution, swiftly becoming the soundtrack to my working day and finally teaching me the correct pronunciation of âSchuylerâ (I wasnât even close). However, for Hamilton obsessives, a quick search of our collection American History, 1493-1945 proves bountiful, revealing documents that cover the manâs personal life, political ideals and economic plans. While the musical constructs a love triangle between Alexander, his wife Elizabeth Schuyler and her sister Angelica, a letter written in 1780 to Eliza shows an uncharacteristically soppy side to Hamilton: âI meet you in every dream and when I wake I cannot close my eyes again for ruminating on your sweetnessesâ.
Alexander Hamilton to Elizabeth Schuyler regarding their wedding, 1780. Image Â© The Gilder Lehrman Institute of American History. Click the image to see this document in the collection.
This stands in stark contrast to other documents in the collection, particularly The Federalist, a collection of essays written anonymously (and primarily by Hamilton) to rally support for the new constitution. In the song "Non-Stop", an increasingly bitter Aaron Burr cites these essays in a rant against his rivalâs work ethic â âhow do you write evâry second youâre alive?â Though the fateful estrangement between Burr and Hamilton is central to the narrative, Mirandaâs best burns are saved for John Adams and negligent military leader, Charles Lee (âIâm a general! Weeeee!â).
The Federalist: a collection of essays, written in favour of the new constitution, as agreed upon by the federal convention, 1787. Image Â© The Gilder Lehrman Institute of American History. Click the image to see this document in the collection.
Despite a tragic ending, there is good news; the blue coats are coming! Plans to bring Hamilton to the West End are underway. Bad news; one pair of tickets to the Broadway show recently changed hands (for charity, admittedly) for $42,000âŠ One man who beat the ticketing system is President Obama who invited the cast to perform at the White House (below). By insisting on casting a diverse, multicultural company of players and carving out a voice for the women in Hamiltonâs life, Miranda has turned the male, pale and stale narrative of colonial history on its head. As Obama pointed out, âthis show reminds us [America] was built by more than just a few great men and that it is an inheritance that belongs to all of usâ.
A performance by the cast of Hamilton at the White House earlier this year, posted to youtube by CBSN.
Unless otherwise stated, all quotations are taken from Lin-Manuel Mirandaâs Hamilton.
All of the documents used in this blog will be available to access for 30 days.