AM
Demos Pricing

Taxis to Hell: Landing on the D-Day Beaches

The D-Day landings took place on 6th June 1944 and started the fight to begin the liberation of Europe. Commemorations since have paid tribute to the heroism and raw courage of those who took part. The risks involved that day were incalculable and the struggle to prevail desperate. 156,000 men were transported to France to push back the Nazis, and before the first sunset, 10,000 lay wounded and 4,400 had lost their lives.

The danger when dealing with such huge, stark numbers is that we overlook the individuals who risked everything to win the Allies a foothold in occupied France. One set of iconic photographs, however, housed at the National WWII Museum in New Orleans and digitised in AM’s America in World War Two: Oral Histories and Personal Accounts, takes us right in amongst the men who were there.

The richly atmospheric images of the Jeffery and Mary Cole Collection place the troops front and centre of the narrative. One well-known photograph shows American soldiers – cold, soaked, tightly packed, and hunkered down behind the bulwarks of a landing craft as it surges through the waves towards Normandy. Not for nothing were these boats dubbed the ‘taxis to hell’.

Soldiers in helmets and military gear sit and stand inside a landing craft at sea with another craft visible in the background under an overcast sky

Image © The National WWII Museum. Further reproduction prohibited without permission.

A famous second image shows these sons, brothers, fathers, and friends just minutes later, pushing through waist-deep surf toward the beach and ‘into the jaws of death’, as the image is captioned. The heavy skies and smoke make it hard to identify everything you see at first, but a closer look reveals other men already ashore, lying low under the incessant hail of enemy fire.

View from inside a landing craft as soldiers disembark onto a sandy beach under an overcast sky during a historic military operation

Image © The National WWII Museum. Further reproduction prohibited without permission.

A third image, darker and more ominous still, shows landing craft disgorging yet more men into the fight. Individuals are indistinct but, as you find yourself getting drawn into the picture, here their individual struggles to make it to the beach become epic.

Dark silhouettes frame a stormy sea with crashing waves; boats cut through rough waters under dramatic clouds on D-Day
Image © The National WWII Museum. Further reproduction prohibited without permission.

A photograph taken days later has a distinctly different mood. Men still wade ashore, but the Nazi defenders are gone. A man looks back to sea in a moment of reflection, and the clouds begin to part. Order and relative calm have supplanted chaos. The liberation has begun.

View from a landing craft as soldiers wade through shallow water towards a beach during D-Day, with parachutes and aircraft in the cloudy sky
Image © The National WWII Museum. Further reproduction prohibited without permission.

Published alongside these famed frames, extensive collections of equally moving photographs, correspondence, oral histories, diaries, military records, and artefacts allow us to follow the personal experiences of countless other American military personnel and civilians throughout the course of World War Two.

For more information on America in World War Two: Oral Histories and Personal Accounts, including demo and price enquiries, please email us at info@amdigital.co.uk.


Recent posts

A historical map of Massachusetts, showing cities, towns, and geographical features in detail
‘Meu Mapa’ by Atlas Weyland Eden

Meu Mapa, by Atlas Weyland Eden, is a short piece of historical fiction inspired by digitised archival maps in AM databases, and written as part of the Imagining History UK programme.

A young student sitting at a laptop, smiling
First class research with secondary data: teaching social research methods with archival resources

In a guest blog, Kuba Jablanowski, a lecturer in Digital Sociology at the University of Bristol, explores how the university's use of AM Digital collections have enabled students to access crucial interdisciplinary content to support their research.