Rivals on the Rocks: a scientific saga of the eighteenth-century stage
Edgar, I come – one chord alone about my breaking heart
Detains me from thee – now it yields – it bursts – ‘tis done – ‘tis past – thy Helga
Follows thee.
Reaching for the dramatic heights of Lear’s “Break heart, prithee break”, Mackenzie’s offering was instead doused with scorn. Gales of laughter and mockery greeted the opening night and its run on the Edinburgh stage in the January of 1812 was embarrassingly brief.
The Rival Minstrels’ failure, however, had as much to do with a scientific scandal of the time as it did with Mackenzie’s arguably lacklustre creative ability. When he wasn’t moonlighting as a tragic playwright, Mackenzie’s interests lay in geology, and 1811 saw him fresh off the boat from a research trip to Iceland. The hot topic of the day was rock formation: Mackenzie favoured a volcanic theory, but a rival group known as ‘Neptunists’ fancied a more water-based solution to the question. Mackenzie attacked the Neptunists’ ideas in a publication entitled Travels in Iceland: an academic chemical burn which would sink his play’s hopes for success.
Sir Walter Scott, who had provided a prologue and epilogue for The Rival Minstrels and was deeply regretting it, wrote an embarrassed letter to a friend about the play’s poor reception, revealing that it was sediment, not sentiment, which had undermined Mackenzie’s work. The offended Neptunists, determined to avenge Mackenzie’s heated roast of their chemical theory, had shown up in full force to rain on his theatrical parade and swayed the opinion of audience and critics alike.
Icelandic sagas’ involvement with geological themes didn’t sink beneath the literary waves with Mackenzie’s failed enterprise: in his Journey to the Centre of the Earth Jules Verne made a saga manuscript the key to finding the volcanic tunnels which would lead his characters to (you guessed it) the centre of the earth. Unfortunately for Mackenzie, however, it’s fair to say that in this particular Icelandic venture it was the chemical rivals and not the poets who held the stage and won the day.
Recent posts
Amnesty International Archives features hundreds of thousands of images, including every Urgent Action issued between 1974-1991 detailing requests for action to intercede in humanitarian crises and protest atrocities around the world. The campaigns, internal developments and press perceptions of Amnesty are all explored in detail through the documents that are featured in the resource.
Women’s Voices and Life Writing, 1600-1968 offers access to everyday experiences and social worlds, whilst encouraging us to engage with women’s own understandings of the contexts in which they lived. Claire Langhamer, Director of the Institute of Historical Research and Professor of Modern History, University of London, discusses the topic of romantic love using resources from within the collection.