AM
Trials Pricing

Women’s Suffrage: Getting creative

women's suffrage event at The National Archives included a talk about Edith Garrud, the woman who taught ‘Suffragette jiu-jitsu’.

Garrud was one of the first professional female martial arts instructors in the world, teaching suffragettes how to defend themselves in difficult, violent situations. These skills were also used in comedy performances, where policemen were shown to be overpowered by the ‘underdog’ suffragettes. These performances were an accessible form of entertainment and helped to raise support for the suffrage movement.

Although news reports were often negative about the suffrage movement, supporters found new ways of changing public opinion, particularly in the form of cartoons and art pieces. AM's resource Gender: Identity and Social Change includes plenty of highly visual contemporary material which supports this view. The U.S. cartoon by C.D. Batchelor (pictured below) shows a woman carrying the weight of the world on her shoulders. Batchelor writes:

It is a man’s loss as well as her own that a woman’s influence is unused. There is nowhere a more glaring instance of the waste of natural resources.

"A Thankless Burden", n.d., Content compilation © 2018, by Bryn Mawr College. All rights reserved.

One of the arguments against women having the vote was that the household would fall apart if women began taking an active role in politics. The image below utilises the traditional role of the mother in the home, taking care of the children, with the caption ‘Double the power of the home – two good votes are better than one’. The cartoon uses a widely accepted image of the woman as caregiver to change perspectives – she is still a mother, capable of raising children and increasing the power of the household’s influence on politics.

"Double the Power of the Home…", 23 Oct 1915, Content compilation © 2018, by Bryn Mawr College. All rights reserved.

Men who were against the movement were turned into comedy figures in publications. The old man in the cartoon below ignores the lashing rain around him as he clings to his old umbrella, representing his outdated views. The umbrella is shown to be tatty and insubstantial against the onslaught of evidence, promising hope for the future.

"The Old Umbrella's Leaking Badly", 1 Mar 1915, Content compilation © 2018, by Bryn Mawr College. All rights reserved.

This image goes further in illustrating the dissenters as corrupt and dangerous, hiding in ambush from the stoic figure of a woman carrying a suffrage bill. This has an almost pantomime quality to it, with a clear hero and villain. Looking at that image, it’s unlikely that anyone would want to be associated with the crowd clutching weapons labelled ‘white slaver’ or ‘corrupt politician’…

Waiting in Ambush, c.1913-1914, Content compilation © 2018, by Bryn Mawr College. All rights reserved.

The creative ways in which suffragists sought to demonstrate the importance of their cause offer a fascinating insight into the views of society at the time and highlight how crucial these methods were in fighting for change.

Further examples of documents about Women’s Suffrage can be found in AM's resource, Gender: Identity and Social Change. For more information, including free trial access and price enquiries, please email info@amdigital.co.uk.


Recent posts

Electric dreams and excess in the 1980s

Step into the vibrant tapestry of the 1980s, where anti-nuclear protests, political upheavals, and iconic figures like Margaret Thatcher and Ronald Reagan mingled with the neon glow of shoulder pads, arcade games, and synthesizers. Amy Hubbard, editor explores materials from AM's 1980s Culture and Society, a rich exploration of this era's excesses, innovations, and contradictions, covering topics from Conservatism's rise to the explosion of electronic music. Discover how technology transformed not just leisure but also communication, creativity, and societal landscapes, leaving an indelible mark on the decade's cultural fabric.

Visual protest: The art of Amnesty International

Amnesty International Archives features hundreds of thousands of images, including every Urgent Action issued between 1974-1991 detailing requests for action to intercede in humanitarian crises and protest atrocities around the world. The campaigns, internal developments and press perceptions of Amnesty are all explored in detail through the documents that are featured in the resource.