The Haunted Swing: something wicked this way rotates...
History
With Halloween only days away itâs once again time to dust off the face paints, shine-up the vampire fangs and artistically destroy a pumpkin. To get into the âhorrorâ of things, I began delving through some of our resources to find something suitably ghoulish from the vestiges of history. My search lead me unexpectedly to a photogravure of an amusement ride called âThe Haunted Swingâ from a souvenir album for San Franciscoâs California Midwinter International Exposition in 1894.
Image @ Special Collections Research Center, Henry Madden Library, California State University, Fresno. Further reproduction prohibited without permission.
Invented by Amariah Lake in the early 1890âs, the Haunted Swing became a popular attraction and appeared as part of the Midwinter fairâs âMidway Plaisanceâ amusement area. Admittedly, this photograph portrays a fairly innocuous scene devoid of any of the typical horror clichĂ©s such as solitary rocking chairs, sallow-looking children or tormented wraiths. However, this clever contraption was concerned with procuring a different type of fright.
Located in the middle of a traditional sitting room interior, the swing was suspended from a bar across the ceiling and could accommodate approximately 15 people. When the ride began, the swing appeared to move back and forth at an increasing pace until it seemed to complete a full rotation and its participants were imbued with the sensation of hanging upside down whilst inexplicably defying the rules of gravity. In reality it was the walls of the make-shift room which rotated (bolted-down furniture and all) whilst the swing itself hardly moved. But the illusion was so cleverly coordinated that participants would emerge confused, dizzy, faint, and often nauseous.
An external view of âThe Haunted Swingâ building situated on the fairâs âMidway Plaisanceâ. Image @ Special Collections Research Center, Henry Madden Library, California State University, Fresno. Further reproduction prohibited without permission.
The Haunted Swing may seem tame in comparison to the blood splattered, special effect-laden, Hollywood horrors to which we have all become accustomed. But during the 1890âs when logic and progress reigned, this ride exposed a vulnerable disconnect between the mindâs ability to reason and the bodyâs ability to perceive. It highlighted the frightening fact that the body and the mind are vulnerable to manipulation and cannot always be trusted, a fear popularised in classic Gothic horrors of this period such as Robert Louis Stevensonâs Strange Case of Dr Jekyll and Mr Hyde, or Bram Stokerâs Dracula. And, as is demonstrated by the prevalence of modern-day incarnations of Lakeâs Haunted Swing in fairgrounds across the world, this fear is as perpetual as the rotations of the ride itself.
These photogravures are taken from the Worldâs Fairs: A Global History of Expositions resource which will be published in spring 2016. Full access restricted to authenticated academic institutions who have purchased a license.